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88 pages 2 hours read

Charles Dickens

A Christmas Carol

Fiction | Novella | Middle Grade | Published in 1843

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Chapter 2Chapter Summaries & Analyses

Chapter 2 Summary: “Stave II: The First of the Three Spirits”

Scrooge wakes to a neighborhood church bell ringing midnight. He is confused because it was well after midnight when he went to bed. He lies awake, listening to the bell chime the quarter hours. The hour strikes one. The bedcurtains by Scrooge’s head are pulled aside, and a light streams in on him, revealing the Ghost of Christmas Past.

The ghost is a diminutive spirit, both old and young, sometimes solid, sometimes wavering, and a light burns from his head like the flame of the candle. In his hand, he carries a conical cap like a candle snuffer. He announces to Scrooge that he is the Ghost of Christmas Past and bids Scrooge to come with him. Scrooge realizes that resisting is pointless, though he does protest when the ghost leads him toward the window. However, the ghost places his hand over Scrooge’s heart and leads him directly through the wall.

Scrooge finds himself on a wintry road near the school where he spent much of his childhood. The sights, sounds, and (particularly) the smells of the scene overwhelm him. The other boys are all on the way home for the holidays. Scrooge recognizes them and calls out to them, but the ghost explains that the boys are only shadows and cannot see or hear him. The ghost reminds Scrooge that one child is still at the school alone.

They enter the dilapidated schoolhouse, where they see the young Scrooge reading by a small fire. The older Scrooge is struck by the memory of being this forgotten, unwanted boy and begins to weep. The spirit touches him and draws his attention to a parade of imaginary people passing by the window—all the characters of all the books young Scrooge read and loved. Scrooge laughs with delight to see them but then suddenly sobers, saying that he wishes he had given something to the boy who stopped to sing a Christmas carol outside his door.

The ghost shows Scrooge another Christmas—this one a few years later. Scrooge is older; the school is dingier, and instead of reading, young Scrooge is pacing back and forth. The door flies open and Scrooge’s younger sister, little Fan, darts in. She throws her arms around him and cries that she is bringing him home for Christmas, that he will never have to return to the school, and that he is to be a man. The ghost reminds Scrooge that Fred is his beloved sister’s son.

Next, the ghost brings Scrooge to the old warehouse where he was apprenticed. His employer, Fezziwig, is a cheerful old man wearing a Welsh wig (a knitted wool cap with a long back to keep the neck warm). At seven o’clock, Fezziwig orders Scrooge and Dick (Scrooge’s fellow apprentice) to put up the shutters and clear the floor. The neighbors begin to arrive, filling the warehouse with laughter and music and dancing. The ghost remarks on how cheap and easy it is to make such “silly” people grateful, and Scrooge passionately replies that Fezziwig’s kindness had a value surpassing money. He sobers, thinking of Bob Cratchit.

Leaving Fezziwig, the spirit shows Scrooge a somewhat older version of himself seated beside his fiancée, Belle. She breaks their engagement, telling him that money has taken the place she used to hold in his heart. The scene changes, and Belle is now a mother to a lively family. Her husband returns home and informs her that he has seen Scrooge sitting alone in his office while his partner Marley is at death’s door. Seeing the family—especially the daughter he might have had—Scrooge begs the spirit to take him home. He seizes the spirit’s cap and pushes it down on the spirit’s head, forcing it all the way to the floor, but the light continues to stream out from beneath. A moment later, he finds himself back in his own bedroom, terribly drowsy, and staggers back to bed.

Chapter 2 Analysis

Stave 2 opens with the motif of time. It was after two o’clock when Scrooge went to bed, yet he wakes hearing the clock strike midnight. He then waits through a full hour, listening to the church bell ring every 15 minutes.

Staves 2 through 4 are a series of tests and trials through which Scrooge must pass, taking a lesson from each and transforming a little more with every ghostly encounter. The window through which the Ghost of Christmas Past proposes to take him is the symbolic first threshold that the hero must walk through for the story to really get moving. Here, the hero leaves the familiar world and enters the world of adventure for the first time. It may seem that Scrooge has no choice; the Ghost of Christmas Past is insistent and implacable, but although Scrooge is reluctant and drags his feet, he does not absolutely refuse. Thus, he voluntarily embarks on change. It soon emerges that Scrooge loved adventure as a child, and the seed of that child remains within him.

The ghost describes the scenes through which he guides Scrooge as shadows, but they are more than mere memories; they are sensory experiences. The sense of smell is particularly pronounced in the first scene: “He was conscious of a thousand odours floating in the air, each one connected with a thousand thoughts, and hopes, and joys, and cares long, long forgotten!” (20). Smell is the sense most directly associated with the limbic system; thus, it is the most important for triggering memory and emotion. Scrooge is already awakening when the ghost takes him to see his younger self. Significantly, Scrooge must learn to pity himself as well as others—his miserliness has hurt not only those around him but also Scrooge himself, though he is initially reluctant to admit it—and the sight of his boyhood self elicits this compassion. He also witnesses a scene where his imagination and love of adventure were brought to life: “It’s dear old honest Ali Baba! Yes, yes, I know. One Christmas-time when yonder solitary child was left here all alone, he did come, for the first time, just like that.” (22).

Scrooge is older, lonelier, and more bitter when his little sister arrives to rescue him and bring him home. Fan embodies the archetype of the child savior, representing the innocence and potential of childhood. In this scene, Fan is literally Scrooge’s savior—intervening with their father to permit him to come home—but the rescue is temporary. Scrooge is happy for several years, as the scene of Fezziwig’s party demonstrates, but at some point, he begins to be overwhelmed again by fear, which takes the form of hunger for money. By rejecting Belle in favor of money, he rejects his opportunity to become a father himself and therefore to grow out of the hurt and fear of his own childhood neglect. In effect, Fan’s prediction does not come true: Scrooge fails to become a man. It is the recognition of that loss that finally overwhelms Scrooge and compels him to try to snuff out the light of memory, but that light refuses to be put out.

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