The Last Tycoon

The Hollywood studio emerges as a multifaceted symbol, representing not only a physical space but also a figurative intersection of personal and professional lives. The Hollywood studio, portrayed by F. Scott Fitzgerald as a bustling entity, functions as a microcosm echoing the ceaseless rhythm and appetite of the entertainment industry. The author captures the perpetual activity within the studio, emphasizing that “there is never a time when a studio is absolutely quiet” (37). The constant presence of technicians and maintenance staff sustains an ongoing hum.

Stahr’s daily routine, which “begin[s] often enough right in the studio” (197), symbolizes the Hollywood studio’s profound significance in Stahr’s life. The studio, traditionally a workplace for filmmaking, transforms into a surrogate home for Stahr. This is epitomized by Stahr’s decision to sleep there regularly, taking advantage of the studio’s amenities, including a bath and dressing-room. The studio becomes a versatile and adaptive environment, catering to the needs of those, like Stahr, who seek comfort and efficiency within its confines. It also symbolizes the blurring of Stahr’s personal and professional worlds and intimates that career success like Stahr’s is not possible without this lack of separation.

The studio also serves as an extension of Stahr’s identity and a sanctuary from the complex challenges of his personal life.